Förlagets beskrivning
The last thirty years of the twentieth century saw the establishment of
film studies as a major discipline in higher education throughout the world.
Not only did film become a subject discipline in its own right, it also became
a focus of study within the emergent fields of cultural studies, media studies
and gender studies. This period of academic growth coincided with extensive
developments in fFilm tTheory. Film's significance as a social and cultural
practice, and as an art form, gained greater emphasis. Theories from a range of
disciplines were deployedexamined in the context of film studies. This led not
only to the testing and re-appraisalrevision of traditional critical concepts
such as realism, genre and narrative, but also to the application of newer
theoretical perspectives including semiotics, structuralism and psychoanalysis.
This major new collection: identifies the critical and theoretical concepts
which have been most significant in the study of film presents chronologically
the most influential and important writing on these concepts provides an
historical and intellectual context for the material presented. New introductions by the editors guide the reader through the work. This is
an essential source of ideas and insights for students and researchers in the
field of Film Studies. This collection identifies the critical and theoretical concepts which have
been most significant in the study of film. It chronologically presents the
most influential and important writing on these concepts.
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Film Theory
Bokrecensioner » Film Theory (Critical Concepts in Media and Cultural Studies)
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