Förlagets beskrivning
In this extended essay, Vittorio Hosle develops a theory of the comical and applies it to interpret both the recurrent personae played by Woody Allen the actor and the philosophical issues addressed by Woody Allen the director in his films.
"In Woody Allen, Vittorio Hosle goes a long way toward explaining everything you wanted to know about Allen but were afraid to ask. Just why exactly is he funny, and why does his humor have a strong appeal for academics? In his comprehensive analysis of Allen's work, Hosle outlines a workable theory of humor, illustrates his conclusions by referring to the films and prose, and points out several philosophic motifs underlying Allen's deceptively complex comedies. Hosle's work elevates the enjoyment of Allen's films from guilty pleasure to satisfying intellectual engagement with an intriguing contemporary thinker and artist." --Richard A. Blake, S.J., Boston College
"Vittorio Hosle presents a compelling overview of Allen's work in which he discusses different theories of laughter and argues for the priority of the incongruity theory as the only one able to answer the normative question, what distinguises good from bad laughter? On this theoretical basis he goes on to delve into both the humor and the philosophical profundity of Allen's films." --Sander Lee, Keene State College
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Woody Allen: An Essay on the Nature of the Comical
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